WOMEN
WOMEN
Simone de Beauvoir’s words resonate deeply with me: “Life is a process of becoming, of eternal becoming.” Her philosophy reflects my belief in the beauty of change—both within ourselves and in the world around us.
Yet, as humans, we often resist change, clinging to comfort and fearing the unknown. But no day, no person, no moment is ever the same. In this constant evolution lies beauty—an opportunity to renew our connections, ideas, and relationship with Nature.
Photographing women allows me to explore this ongoing transformation. Women embody resilience and sensitivity—qualities that I see as vital for bridging the friction between humankind and Nature. Through my lens, I aim to celebrate their strength and honor their role in this eternal process of becoming
Yet, as humans, we often resist change, clinging to comfort and fearing the unknown. But no day, no person, no moment is ever the same. In this constant evolution lies beauty—an opportunity to renew our connections, ideas, and relationship with Nature.
Photographing women allows me to explore this ongoing transformation. Women embody resilience and sensitivity—qualities that I see as vital for bridging the friction between humankind and Nature. Through my lens, I aim to celebrate their strength and honor their role in this eternal process of becoming
NATURE
NATURE
Nature and landscapes hold a profound significance in my work. They offer me a canvas to explore themes of impermanence, connection, and transformation. Each image captures a fleeting moment—a reflection of time’s passage and the ever-changing beauty of the world around us.
When I photograph nature, I am drawn to its contrasts: strength and fragility, vastness and intimacy, chaos and harmony. These dualities mirror the human experience, creating a deep resonance between the external world and our inner lives. Through my lens, I aim to preserve not just what I see, but what I feel—the awe, the stillness, and the quiet truths that nature reveals.
My landscape work is also a response to the pressing environmental challenges we face. As glaciers melt and ecosystems shift, I feel a responsibility to document these changes—to create images that not only celebrate the beauty of nature but also serve as a reminder of its vulnerability.
Ultimately, photographing nature is my way of reconnecting—with the earth, with myself, and with those who view my work. I hope that my images inspire a deeper appreciation for the natural world and a shared sense of stewardship to protect it for future generations.
When I photograph nature, I am drawn to its contrasts: strength and fragility, vastness and intimacy, chaos and harmony. These dualities mirror the human experience, creating a deep resonance between the external world and our inner lives. Through my lens, I aim to preserve not just what I see, but what I feel—the awe, the stillness, and the quiet truths that nature reveals.
My landscape work is also a response to the pressing environmental challenges we face. As glaciers melt and ecosystems shift, I feel a responsibility to document these changes—to create images that not only celebrate the beauty of nature but also serve as a reminder of its vulnerability.
Ultimately, photographing nature is my way of reconnecting—with the earth, with myself, and with those who view my work. I hope that my images inspire a deeper appreciation for the natural world and a shared sense of stewardship to protect it for future generations.
JAPAN | 2017 |
SILVER GELATIN ON ILFORD FIBRE PAPER
COLLAGES
Simone de Beauvoir’s philosophy—“Life is a process of becoming, of eternal becoming”—echoes through my work. It is in this ongoing transformation that I find inspiration, whether in the natural world or in the women I photograph.
In my analog collages, I bring these two worlds together. Using my own images of women and nature, I layer their stories, weaving their individual strength with the ever-changing rhythm of the natural world. These collages are a dialogue between humanity and nature, exploring their interconnectedness and the beauty found in their impermanence.
Through this process, I aim to highlight both the friction and harmony between humankind and the environment—an ode to resilience, sensitivity, and the endless journey of becoming.
In my analog collages, I bring these two worlds together. Using my own images of women and nature, I layer their stories, weaving their individual strength with the ever-changing rhythm of the natural world. These collages are a dialogue between humanity and nature, exploring their interconnectedness and the beauty found in their impermanence.
Through this process, I aim to highlight both the friction and harmony between humankind and the environment—an ode to resilience, sensitivity, and the endless journey of becoming.
BECOMING | 2023
23KT GOLDLEAF (&CHARCOAL)ON SILVER GELATIN PRINTS
BLUE M COLLAGES ESPECIALLY MADE FOR THE “BLUE” GROUP EXHIBITION | 2022
COLLAGE OF MY SERIES
BORDERS OF NOTHINGNESS - ON THE MEND
Collages printed on Kizuki handmade washi paper, mended with 23Kt Goldleaf
NEW WORKS 2024-2025
FRÈLE
FOR CIGARETTES AFTER SEX
Cigarettes After Sex has chosen my image ‘Frèle’ for their Deluxe Album X’s.
Frèle will be used for the new single
BABY BLUE MOVIE
and inside gatefold image for the 12” vinyl.
Cigarettes After Sex a band with a worldwide fanbase,
On Instagram alone they have a following of over 4 million
and they will start touring the album in September and October
in the States and thereafter will come to Europe for an extensive tour.
Archival pigment print on Hahnemühle Agave paper from original liquid light print process
Edition of 7 plus 2 Artist Proofs
MEDIUM
Framed 110 x 74 cm(43.31 x 29.13 in)Paper 100 cm x 70 cm (39,37 inch x 27,56 inch).
Platinum Palladium on handmade paper
Edition: #3 of 7 plus 2 Artist Proofs
Framed: 58 x 45 cm (22.83 x 17.72 in)
Paper: 50 x 38 cm (19.69 x 14.96 in)
